4 Newbie Writer Mistakes that can Derail a Great Book Idea – Written By Anne R. Allen

Anne R. Allen informs us on her blog about four newbie writer mistakes that can derail a great book idea. Thanks for your information on that, Anne.


You’ve got a fantastic idea for a novel. It’s been hanging around for quite a while, knocking inside your noggin. The idea keeps saying, “Let me out! Release me! Put me in a book!”

Maybe there’s a scene in your head that plays like a video, with every detail of the setting right there, as if it’s on a screen. You know those characters. They’re like real people to you.

But you’ve never had the time to write it all down.

Now you do.

So here you are, finally banging out that scene. And another. And pretty soon you’ve written 10,000, maybe 15,000 words of brilliant, deathless prose. It almost wrote itself. Wow. That was almost too easy.

It IS brilliant, isn’t it?

Well, maybe not. Maybe what’s on the page isn’t quite as good it seemed when you were in the zone.

In fact, it could be terrible. What if you have no talent for writing at all? Maybe you should be in the living room doing that kitten jigsaw puzzle with Grandma instead. How do you know if you’re any good?

You’ll have to ask somebody knowledgeable. Like a published author.

And this — this is when you fall down the rabbit hole.

Continue reading HERE

 


 

Do Your Characters Take on a Life of Their Own? – Written By Jami Gold

Jamie Gold provides us with an interesting post about our characters taking on a life of their own. Thanks for your insight on this, Jamie.


Ever get one of those injuries where you wish you had a better story to go with it? *sigh*

When a bundle of bamboo sticks I was trying to separate slipped, one punctured the tip of my index finger, right by the curve of my nail. Three hours of pressure and paper-towel-wrapped ice cubes later, the bleeding stopped so I could apply a bandage, but typing is…not fun.

So let’s do a shorter, fun post today. *grin*

There’s no end to the variety of ways we can get to know our characters. That goes double when it comes to getting to know our characters well enough that they become three-dimensional and take on a life of their own.

Let’s explore…

Continue reading HERE

 

How to Write a Novel Synopsis – Written By Jane Friedman

Jane Friedman provides us with information on how to write a novel synopsis. Thank you for this very educational post, Jane!


It’s probably the single most despised document you might be asked to prepare: the synopsis.

The synopsis is sometimes necessary because an agent or publisher wants to see, from beginning to end, what happens in your story. Thus, the synopsis must convey a book’s entire narrative arc. It shows what happens and who changes, and it has to reveal the ending. Synopses may be required when you first query your work, or you may be asked for it later.

Don’t confuse the synopsis with sales copy, or the kind of marketing description that might appear on your back cover or in an Amazon description. You’re not writing a punchy piece for readers that builds excitement. It’s not an editorial about your book. Instead, it’s an industry document that helps an agent or editor quickly assess your story’s appeal and if it’s worth them reading the entire manuscript.

Continue reading HERE

Creating a Story-Worthy Problem That Will Captivate an Audience – Written By Kristen Lamb

Kristen Lamb provides us with a blog post about creating a story-worthy problem that will captivate an audience. She writes this post in her incomparable unique witty way and still educates us. Thank you, Kristen!


The story-worthy problem is the beating heart of all superlative fiction.

Unfortunately, creating this central core can often be overlooked. This is particularly true for writers relying on school training.

English teachers didn’t mind we used twenty-five metaphors on one page because their goal was to teach us how to properly use a metaphor…not how to write successful commercial fiction.

Creating the core problem and then—possibly (depending on genre)—the many overlapping layers and misdirections, is tough mental work.

Story as Structure

Like any structure, a story demands a strong foundation and sturdy frame. Without structure, it’s easy for author (and audience) to become lost.

Without those elements? The story caves in. But, foundations and framing aren’t nearly as fun as picking out paint, furniture, or drapes.

Face it, for most of us, decorating a house is much more fun than building one. This can be the same for stories. Crafting the perfect sentence, poring over descriptions, tinkering with dialogue is fun.

CONTINUE READING HERE

 

Smorgasbord Laughter Lines Extra – Some more seclusion Humour from the senior team

A great blogpost to giggle! Thanks so much for sharing, Sally Cronin! We all need a laugh!

Smorgasbord Blog Magazine

My sister Diana in Portsmouth who is in lock down now except for trips to the grocery store, shared some humor sent by one of her friends.. proving that even those in their 70s (sorry 40s) still have a sense of humour…

And to make sure that you get some exercise today here is a video to get your on your feet… an appropriate for all of us waiting to get back in touch with our family and friends.  Thanks toABBA

If you would like all of ABBA’s hits to buy then here is there 2 CD collection: Amazon US – And: Amazon UK

Thanks for dropping in today.. have a good weekend.. Sally.

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