The best Halloween collection of spooky Monday Funnies ever. Thanks so much, Story Reading Ape!
Lucy Mitchell explains why there is a magical relationship between a writer and notebooks. Thanks so much for your post, Lucy! How many people don’t understand that bond.
This weekend will be spent clearing out my dressing table and creating a temporary work desk. As I am working from home in my day job, the teenagers are off school due to half term, my husband is also working from home and we are in the middle of a strict lockdown, I cannot spend the next two weeks working from the living room. Not only will I have to put up with pyjama clad teens wandering about in the background while I am on Zoom calls, I will also have to listen to my loved one shouting at everyone to keep the noise down from his desk.
Underneath my dressing table there are three large boxes filled with notebooks. Some of my old stories were born inside these notebooks and some still reside between the pages. I have to write this post because I think my family believe this will be the weekend I finally clear out all my boxes of notebooks.
Becca Puglisi published a blog post about asking the right questions with character interviews. How do we know the character, what’s important? Thanks so much for helping us out answering these questions, Becca.
on Writers Helping Writers:
Developing characters is one of the joys of writing and it’s a dream when we understand them and what they’re about. Inevitably, though, there comes a time when our characters do and say things that don’t make sense to us, we feel they’re one-dimensional, or we just don’t know how they should react to situations. This can stall our story.
Character interviews are a fabulous way to address these problems. Not only does interviewing your character help you learn more about them, you’ll be able to note the hesitations or uncertainties so you can drill deeper into those areas. It can also give you a better feel for their voice, which can sometimes be hard to nail down.
But there are so many interviews and questionnaires available on the internet, and we can lose a lot of time answering questions that may not be relevant to understanding our character. So how do we know which questions are the right questions? Which ones will help us dig deeper into our characters and, ultimately, strengthen our story?
Derek Haines gives us advice on how to edit a book. Thank you so much for helping us with your information and experience, Derek!.
on Just Publishing Advice:
When you sit down to edit a book, you want to improve your story and your writing.
It’s a good idea to do a thorough grammar and spell check before you start. You have a choice of plenty of premium and free grammar checkers to help you.
But a grammar check is not editing. The editing process starts when you carefully read your manuscript, line by line.
If you don’t have a professional editor, you can learn how to self-edit your book by following my checklist of 20 common faults.
My favorite blogger Kristen Lamb has published a post about narrative style, the heart of storytelling. Thank you so much for another educational blog post, Kristen.
Narrative style is the beating heart of writing. While our voice might remain consistent from a blog to a non-fiction to a fiction, narrative style is what keeps our work fresh and makes it resonate.
Developing a strong narrative style is especially critical if we decide to write a memoir because the style will need to not only reflect the personality of the author-storyteller, but also hit that sweet spot in tone that is appropriate for the story.
But what IS IT?
Last post, I opened the discussion about memoirs. Memoirs are not only becoming increasingly popular, but with the implosion of traditional publishing, there’s good news. Anyone can write and publish a memoir. There’s also bad news…anyone can write and publish a memoir.
Before we talk about the various structures and types of memoirs, it’s a good idea to first discuss the broad concepts. Last time, I mentioned that superior memoirs frequently DO reflect The Hero’s Journey.
That was our first meta-concept, so to speak. The second meta-concept is narrative style. This aids us in connecting with audiences and generating long-lasting resonance.
Narrative style can be one of those amorphous concepts that’s tough to define directly. Sort of like black holes.
Scientists don’t per se observe a black hole directly, as much as they suspect they might have a black hole because of what’s going on around a certain area in space (the behavior of light and nearby planets, etc).
This said, all creators would be prudent to keep some core principles in mind when writing anything from a blog, to a non-fiction, to a memoir. These principles lay the foundation for what we think of when it comes to ‘narrative style.’