It’s a dog’s life

What a hilarious post. Thanks, Bluebird! Sharing the smiles!

bluebird of bitterness

A woman was relaxing on her porch one afternoon when a very tired-looking dog wandered into her yard, lumbered up the porch steps, lay down, and promptly fell asleep.

About an hour later, the dog got up and walked away.

The next day the dog was back. It climbed the steps, lay down on the porch, and fell asleep.

This happened several days in succession. One day the woman attached a note to the dog’s collar that read, “Every afternoon your dog comes and takes a nap on my porch.”

The following day, the dog arrived with a different note pinned to its collar: “He lives in a home with eight children. He’s just trying to catch up on his sleep.”

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How much does it cost to self-publish? That depends – Written By Roz Morris

I’ve had an interesting question from Tom. A lot of authors that are self-published avoid the question of cost. How much does it cost you to self publish? I would think that a lot of writers that aren’t financially well off want to know this info.

What a good question. To answer, I’d like to reframe it.

A lot of the basic aspects of self-publishing are low cost, or even free. Publishing on Amazon, Smashwords and Kobo, three of the major platforms, is free. Making Word documents and PDFs is free. Formatting ebooks and print books can be free if you’re careful and meticulous, and there are low-cost options to make it easier. Covers can be made free – or for very little money – in applications like Canva and Bookbrush.

So why do authors pay a lot more for publishing services?

The answer is: they’re paying for a professional edge. In editing, book production, cover design, copywriting. Marketing knowhow. Advertising. Access to curated audiences.

And how much does that cost? It’s honestly a difficult question to answer.

CONTINUE READING HERE

Smorgasbord Blog Magazine Podcast – Book Marketing and PR for authors- Blogging and Watering Holes Part One by Sally Cronin

I am creating a series of short podcasts based on the book marketing and public relations series and I am beginning with some recordings I made for radio that are still relevant today and will lead into the rest of the series in coming weeks.

Last week I asked the question Who are you writing your book for? Readership

This week – Creating online Watering Holes – Blogging Part One.

Blogging is one of the watering holes where you can show off your writing talent and establish you presence online… I ask several questions about your blog that should be in place to make access to your posts and to share them effective.

CONTINUE READING HERE

5 Common Mistakes Writers Make That Sabotage Their Success – Written By Bella Mahaya Carter

on Live Write Thrive:

I’m neither unique nor alone in having made mistakes as a writer that have potentially sabotaged my chance at success. I’ve witnessed these same mistakes among my clients and students.

They aren’t limited to writers, nor are they the first things that come to mind when considering mistakes, but I wish I’d had a clearer understanding of them as a young writer. It would have spared me years of heartache and confusion.

Let’s dig in to the 5 common mistakes writers make and what can be done to correct them and avoid self-sabotage:

Continue reading HERE

DEBUNKING 007: Five Tropes & Truths About the Spy Business – Written By Brian Andrews

On Career Authors:

Spies are mysterious, intriguing, and the subject of endless speculation. Ian Fleming’s James Bond—introduced in 1953—has been influencing thriller novels and films for seven decades. We all have our favorite 007 novel, Bond actor, and big screen adaptation. With larger-than-life villains, scantily clad assets, suspend-your-disbelief gadgets, and epic action scenes no spy has made a bigger impression.

But is there any truth to the world of James Bond? Do spies really carry laser pens and drive Aston Martins with machine gun headlights and ejector seats? Well, read on because this is “Spy Week” at Career Authors!

Continue reading HERE

6 New Literary Agents Seeking Speculative and Genre Fiction, Literary Fiction, Memoirs, Nonfiction, Graphic Novels – Written By Erica Verrillo

On Publishing … and Other Forms of Insanity:

Here are six new literary agents seeking clients.

Logan Harper is seeking a variety of character-driven fiction and is particularly drawn to women’s fiction, book club fiction, psychological thrillers, domestic suspense, mystery/crime, upmarket and literary fiction.

Bre Stephens wants Gothic, Horror, Speculative, Fantasy, Psychological Realism, Detective/Mystery, MG, YA, and in nonfiction, Art, History, Personal Journey, Healing, Memoirs, Biographies, Self-Help.

Alina Mitchell is actively looking for nonfiction proposals including memoir, biographies, how-to, elementary & secondary education topics, religion/spirituality, narrative nonfiction, and new perspectives in history, arts & culture. ​

Kirsten Aguilar  is interested in Literary Fiction, Commercial/Upmarket Fiction, Thriller, Mystery, Memoir, Essay Collections, and Family Mythology.

Hafizah Geter is open to submissions of literary fiction and narrative nonfiction.

Ericka Phillips is interested in non-fiction authors working in the Buddhist and mindfulness arena with a focus on health and spiritual well-being.

Always check the agency website and agent bio before submitting. Agents can switch agencies or close their lists, and submission requirements can change. 

NOTEDon’t submit to two agents at the same agency simultaneously. If one rejects you, you may then submit to another.

Get Full Details HERE

How Amazon and BookBub Will Help You Sell Books–FREE – Written By Ruth Harris

on Anne R. Allen:

Yeah, we know…

A BookBub feature will rocket your book skyward.

Stacked promos can help you tickle the algos and ride the tsunami.

A great launch strategy well executed can get your book a bestseller badge.

But all these options are pricey—especially a BookBub feature if you can even get one.

And they don’t all necessarily work or don’t work as well as you hoped.

Then what?

Continue reading HERE

Fight, Flight, or Freeze: What’s Your Character’s Go-To Response? – Written By Becca Puglisi

on Writers Helping Writers:

Fight or flight.

I think we’ve all heard the phrase. It refers to the way each person is hard-wired to react to real or perceived danger. Psychologists have recently added another option, giving us three ways we might respond to threats: we fight back, we flee, or we freeze up. This happens in life-or-death situations, but it also occurs on a smaller scale whenever we feel endangered:

At the mall, when you see someone who mistreated you in the past
At work, when the boss criticizes your work
At a party, when a friendly conversation takes an uncomfortable turn
At school, when you hear an ugly rumor someone has started about you

So whether the situation is potentially fatal or just a little threatening, you’re going to respond in one of those three ways. What does that look like? Here are few possibilities that cover a range of intensity:

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Don’t Let These Plotting Errors Knock Your Novel Off Track – Written By Janice Hardy

on Fiction University:

Here are five common plotting mistakes to avoid when writing a novel.

Plots are tricky things. They ought to be easy, since they’re just the steps characters go through to resolve a novel’s conflict, but for a lot of writers, those steps are loaded with traps and pitfalls. These writers have no trouble creating deep, fascinating characters and crafting compelling character arcs for them, but how they get those characters from Point A to Point B mystifies them.

Plotting doesn’t come naturally to all writers, same as developing characters, world building, or writing snazzy dialogue. We all have our strengths and weaknesses. Once we identify (and accept) what we’re weak at, we can work on improving those areas and paying a little more attention to them in early drafts.

When plotting, it helps to remind yourself that a plot is the series of events that illustrate a story. It’s not the theme, the characters, the character arc, or the idea behind the novel—just what the characters actually do.

Continue reading HERE

Description: The Good the Bad and the Just Please STOP – Written By Kristen Lamb

Ah description. Few things can make a writer’s skin tingle like glorious prose, right? A couple posts ago, I gave y’all some editing tips. In the meantime, I also mistakenly stumbled across an audio book that should be charged with assault, ergo why we are talking about description today.

Can we be really honest about our description? Is it truly remarkable or just filling space? Are we weaving a spell that captures readers or are we boring them into a coma? Are we holding the reader’s brains, afraid if we don’t clarify everything, they might not ‘get’ what we mean?

For those who never use description or very sparse description? Don’t fret. Description (or lack thereof) is a component of an author’s voice and it goes to style.

But obviously all writers will use some kind of description. We have to in order to draw readers into the world we are creating. If we don’t give them anything to sink their teeth into, most will wander off in search of something else.

So whether you are heavy or light on the description, here are some tips on how to do it well…

Description for Dummies Readers

I will never talk badly about a book. Consider it a professional courtesy. This is why I only mention or review books I love. In my POV, writers catch enough crap without me ragging on them, too. I like to take into account that I am not a traditional reader, and I am far more picky because I’ve spent the better part of 20 years as an editor.

CONTINUE READING HERE