It seems there is the one or other author around who either don’t know what the job of a beta reader is. Also, some authors don’t want to pay for an editor and therefore try to ‘use’ the beta reader to get the editor’s job done.
From what I learned in my ‘long’ career of two published books (and a few lined up)… my order of ‘writing and publishing’ is the following:
- Drafting
- Copying out
- personal editing #1
- personal editing #2
- professional editing (proofreading)
- filing for copyright
- sending the manuscript out to the beta readers
- having the book cover done
- possible corrections when getting the manuscript back from beta readers
- publishing
At times the corrections, added paragraphs or even pages, demand a second round of proofreading or editing.
Now, what does the beta reader do?
Beta readers are helpful people around you – can be friends, co-workers, family members. They are asked to read the book pre-release. Often they are asked to review the book online, just after release. Most beta readers are very happy to do so in exchange for the book.
Every beta reader works differently. Some return a paper manuscript with scribbles all over the place…, some send an email with a few ideas, suggestions or remarks, some send texts whenever they discover something. When I beta read, I write a list and later send that list by email. So far, I never discovered a huge plot hole, but I found the one or other ‘thing’ that bugged me and that I had to let the author know about. Many other beta readers do the same thing.
There is one thing beta readers don’t do: they don’t correct typos and grammar. That’s what’s the editor is for. I’m not saying they always are perfect, and should I catch a forgotten typo, of course, I will tell the author about it. But I’m not actively looking for them.
I am lucky enough to have a beta reader who is sweet enough to actively look for typos and grammar problems that escaped my editor’s attention. The one or other author might be just as lucky. But generally, beta readers are not here for editing!
They should return your manuscript with a bit more than ‘I liked it.’ You want to get their notes. You want to hear about their feelings… when did they laugh? When did they cry? What scared them or amused them? Did they enjoy the read, and would they recommend the book? According to them, what age range is the book for (if you’re writing Young Adult), and what did they not like so much?
Did they discover something about the plot they didn’t like? Do they have questions about the story, the plot, or the characters? Is there anything they discovered that isn’t right?
Let me give you a couple examples. One of my last beta readers told me that she loves my book, and she finds ‘Sundance’ as a character very interesting. However, she misses Katie, the ‘Soul Taker’ and wishes her back. She is an exceptional beta reader and informed me about several other things that I later corrected. (I did not write more ‘Katie’ into the second book since that is ‘Sundance’s’ story).
When I was beta reading for a male author, I discovered a wardrobe flaw with one of the female character’s ‘undergarments.’ I told my fellow author about it, and he corrected that.
We all were grateful to have our beta readers. It is important to us having people with open minds paying attention to our stories. And we always hope we don’t ask too much.
Thank you, beta readers, for helping us with your time, your efforts, and your honesty. We need you!
Fiction, when crafted to hit that psychic sweet spot, is highly addictive. Which is why soap operas, daytime shows (e.g. Judge Judy & Dr. Phil), and ‘reality’ programs are all going strong with no sign of slowing down.
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