Thanks so much for this very educational and supportive article on your blog Blonde Write More, on how to survive deleting characters. So far I haven’t had to do that yet – but I admit, I had to kill one of mine which nearly broke my heart.
Writing the death of a much-loved character can be demanding and can leave you emotionally wiped out.
Did you know that there is another literary situation which can be just as challenging and one which can cast a nasty gloom over your writing life – deleting a character from your story.
I am not talking about deleting a random minor character; a fictional person who you created one day after too much coffee and inserted into the middle of your novel, just to beef it out (technical literary term) and then deleted them the following day after realising your stupidity. *Sigh*
No. I am talking about those major changes to a draft which result in you deciding to get rid of a key character.
I guarantee this fictional person will have been with you since the start of your story and someone who you have history with. You and this character will have been through some stuff; your rocky first draft, that dreadful second draft which no one liked, your third draft where you felt all hope was lost and the fourth draft which resulted in you wondering why the hell you had ever taken up writing.
You and this character will have shared story in-jokes. They will have been there for you during the bad times. You know them inside out and they are like a good friend.
Today we’re going to chat about log-lines. Some of you might be wondering if I was trying to give you a heart attack with my title. Maybe you think this feat is impossible. AN ENTIRE NOVEL IN ONLY ONE SENTENCE?
Maybe something simple, plebeian and commercially formulaic *flips hair* but ART cannot be forced into a box.
Yes. Yes it can.
I know, I know. Your novel is over four-hundred pages with made up technology and wizards and folding space using enchanted Thigh Masters….
I hear you. Calm down.
Continue reading the entire blog post here:
Kristen Lamb teaches us about Character building. Thanks so much for this lesson, Kristen. I’m still working on that.
I put in a lot of work and study when it comes to honing my writing skills. This means I’m always searching for ways to become a stronger author and craft teacher. Want to get better at anything? Look to those who are the best at what they do and pay close attention.
This said, wanting to deepen my understanding of drama, I enrolled in David Mamet’s on-line course for Dramatic Writing (which has been superlative). In one of the lessons, Mamet said something that challenged my thinking regarding characters.
I won’t directly relay what his assertion was because it’s very much a class worth taking, and I’d hate to spoil it for anyone. Regardless, his commentary regarding character creation made me extremely uncomfortable.
At first, I balked. Big time. Challenging ideas do that.
I thought, Yes, well Mamet’s referring to stage and screen. With written fiction we have narrative. Actors don’t possess this.
Which IS true, yet Mamet’s unconventional opinion stopped me long enough to give his angle some serious consideration. Did his assessment relate to our sort of fiction?
Written form stories hold some major advantages, the largest of those being internal narration. The audience knows what’s going on in the head of the character (or can believe they know).
On stage or screen, it’s up to the actors’ abilities to accurately portray the internal, which is a tough order. It’s also why if a book is made into a movie, watch the movie first.
To read the entire blog post, please click here:
I re-blogged part of Kristen Lamb’s blog post here. She writes about allies and enemies. An aspect of our writer’s life, all of us, should be aware of.
Thank you, Kristen!!
My goal for this blog has always, always, always been to be honest with you guys, to offer tough love and guidance and support. Because the world has three kinds of people, but two are the most common. Two are not exactly helpful and can be downright toxic. We will start with these folks, then move on to how to win that race!
The Discourager (Enemy)
This is the person who’s going to tell you what you’re unable to do. That it’s too hard, that you’re stupid for even trying.
You want to be a successful author? Seriously? Everyone can be published. It means nothing. Do you have any idea the competition that’s out there? You need a mega-marketing budget and even then you’ll probably fail.
Okay I need to stop there because I’m depressing myself.
TO CONTINUE READ HERE:
Kristen Lamb has posted an excellent article about the engine of fiction. I strongly recommend reading it. It’s an excellent guide for new writers.
One of the major issues with first-time novels is that the young writer fails to understand what a novel really is. All great stories are about one thing and one thing only—PROBLEMS. More specifically? Every good story has one core problem in need of being resolved. Granted, there will be many other problems along the way, but they are the setbacks and are all related to solving the core problem.
The trouble is that many of us got our “author training” in school, which really is no training at all. That purple prose that scored us an A on our college short story won’t get us far in the world of commercial storytelling. Additionally,… – READ MORE