The Impersonation List – By Victoria Strauss

(Victoria Strauss for Writer Beware)

The most pernicious scams focused on English-speaking writers these days come from overseas: publishing/marketing/fake literary agency scams from the Philippines, and ghostwriting/editing/marketing scams from Pakistan and India.

That’s not to say there aren’t plenty of scammers in the USA, Canada, UK, and Australia. And scams aren’t all you need to watch out for: inexperienced literary agents (aka schmagents) and incompetent publishers can also hijack your work and create major problems for you. Right now, though, overseas scams are the ones you’re most likely to encounter, and they are the most predatory.

An increasingly frequent fraudulent tactic, used primarily by the Philippine scammers, is impersonation: of reputable literary agents, major publishers, renowned movie production companies, even bookstores and organizations like the American Booksellers Association. The aim is to convince you that you’re on the cusp of real, reputable representation, publication, immortality on the silver screen, books on shelves nationwide…there’s just something you have to pay for first (a screenplay, a “cinematic trailer”, an IP lawyer to handle contracts, “book licensing”, a “book returnability program“…the list is endless). Once the scammer gets you on board, it’s open season on your bank account: you will be heavily pressured to spend more and yet more money on goods and services that may be hugely overpriced, entirely fictional, never actually delivered, or all three.

Below, you’ll find a list of all of the companies and organizations I know of that have been, and are currently being, impersonated, along with the names associated with them. If you need to check the authenticity of an email or phone call, this is where you can do so (I’ve added the list to the menu at the top of the blog to make it easier to find). I’ll be updating the list on a regular basis.

But first…

CONTINUE READING HERE

When Life Happens

Sometimes, life doesn’t go according to plan… Mine hasn’t done that for several years, actually. And more than once I found myself in a nearly unbearable situation, no job, no money, everything I built up in danger, and instead of making things better, other people found it obviously hilarious to put a spoke in my wheel, sometimes not only one… my accounts get hacked. Some freaking moron finds it obviously hilarious to steal money I worked really hard for… the respective company does NOTHING to fix things for me. Instead of improving things, it gets worse… the delays are damaging my reputation, my finances, and my life…

In a situation like that, someone could easily consider giving up life altogether; it’s not even rare that this happens.

What do we say to someone who has that kind of difficulty to master and obviously suffers from depression?

There are a few things that are easily said and basically mean nothing… except a guaranteed pissed-off depressed person who’s already walking on a very small edge and ready to fall…

Healthline.com offers the following advice:


Just remember: Advice isn’t the same as asking for help. If they ask for your advice, give it if you so choose. But don’t offer them “helpful” solutions or statements that seem like a cure for their depression. This can feel judgmental or not empathetic.

Don’t say:

  • “Just think happy thoughts. I don’t understand what you have to be so sad about.”
  • “Everything will be OK, I promise.”
  • “I cut out sugar, and I was cured! You should try it.”
  • “You just need to snap out of this.”
  • “So many people out there are worse off than you.”

And Healthline.com is right. There are very few people out there I ask for advice and help, and even less I accept it from.

Understanding and empathy is very important to give to someone with depression. Don’t try to offer support if you don’t know what it means to be in that situation.

Depression is the part of you that fills with sadness everywhere that hope leaves a hole in you when it leaves…

~ A. J. Alexander ~

Depression makes it hard to move… sometimes even getting out of bed is a challenge. Don’t try to be helpful by being cheerful, and don’t try to support by being sad and co-suffering. It won’t help at all.

The best things to ask are: “What can I do to help?” or “If you want to talk about it, I’m ready when you are.”

Sometimes, talking about it is helpful… but sometimes, sitting in a corner, watching out the window, and crying does more for the person than words… Don’t offer advice if you can’t help… Occasionally, giving useless suggestions to a depressive person is about as useful as dancing naked in rubber boots down the alleyway.

And on occasion… if you know someone who knows someone who can help… This would be perfect in a very helpful way…

It’s not easy to be friends or related to a person with depression. It’s hard to watch a beloved person turning into a heap of hopelessness, and it’s harder to help the person out of that.

Sometimes, real help is needed. And I’m not talking about a shrink… I’m talking about law enforcement, legal support, financial aid – and a job.

And sometimes, only ice cream can make things better. It might sound trivial… but occasionally, only a banana split stands between your depressive friend and the end.

To a certain degree, it’s a metaphor. (It can be a steak and fries, too) But that’s not what I mean… I mean, it might help your loved one to feel alive, feel the little things that are enjoyable (like the taste of ice cream, hot fudge, and banana exploding on the tongue), but more so, to talk to a person who is interested in the things that make life so hard.

Be that person… be around, available, approachable… be there.

Picture courtesy of Google.com

BLOG TOUR: Spark And Tether

Welcome!

Please introduce yourself.

Hi! Thank you so much for having me here. I write as Lilian Zenzi. I am a middle-aged queer woman who gardens and crafts when I’m not working on new books. I live in Colorado with my partner, teens, and two big dogs.

1.       When did you start writing?

I was 8 or 9 when I wrote my first story for the fun of it; as an adult, I’ve mostly written for myself, making a few forays into publishing with long breaks between efforts. The last break lasted for about a decade.

This pen name— and this book—began in summer 2021, and was an accident. At that time, I didn’t have any intention of writing seriously again, but I fell in love with the characters and the story and reconnected with what made me write in the first place.

2.       What motivates you to write?

Some days it is escapism, some days it’s rage at the state of the world, some days it’s a need to connect to the universe outside of my tiny place in it, some days characters just demand their turn on the page. Usually it’s a bit of each, in wildly varying amounts.

Lately, there’s a new element, which is reader response! I hadn’t shared much of my work before a very early draft of Spark and Tether released on a web serial site; having regular readers waiting for the next chapter to drop and cheering me on as they waited was extremely motivating. It sounds obvious now, but as someone who primarily wrote for my own enjoyment, it was a big surprise. I love hearing from readers, and some days that’s what gets me in the chair ready to work.

3.       What genre do you write in and what made you chose this particular genre?

Most of my stories have a speculative element of some sort in them, but I don’t tend to think about genre until the story is written and I need to figure out where the readers will be. Spark and Tether is queer science fiction romance. I have a cozy novella also available, and a queer urban fantasy in the works for next year.

I love science fiction and fantasy of all varieties because there are truly infinite possibilities and very few real limits, and romance offers so much space for exploring connection and growth and happiness. The books I like best tend to combine and/or interrogate genre conventions, and there’s an element of that in much of my work, as well.

4.       What is your goal in writing? Do you have dreams where your writing should take you?

The ultimate goal is connection; all art, on some level, is communication and/or connection at its core. To that end, I’m hoping to build an engaged and active community of readers while keeping some balance between my working and personal life and producing new work regularly. Easy, right?

On a more practical and less lofty level, that means I’m focused on finishing the next two books in the Synchronists series, launching the queer urban fantasy series on Ream in early March, and keeping space in my schedule for rest and recovery and play.

5.       Do you ever suffer from writer’s block and if yes, how do you deal with it?

Oh, absolutely. All the time. I find I have two kinds of blocks, and it’s sometimes difficult to determine which one is stalling me. The first is that if there’s something wrong with the story, I get stuck and can’t go on. I have learned to trust this; I edit as I draft, and when I get to a point where the words just won’t come, it usually means there’s something broken. Once I find it, I can continue; this usually means I need to walk away from the manuscript for a while to let my subconscious think it over. I’ll work on another story or dig into a little more research.

The other kind of block happens when I’m just worn out. I have a chronic illness that includes intermittent fatigue, and I often don’t realize I am having a flare until I’ve been staring into the document for a few hours and nothing comes. After a lifetime of working long hours and just willing myself to have more energy, I am learning how to listen to when my body needs rest. There is no pushing through this one. The words won’t come back until I take time to recover.

6.       What advice would you like to give new, hopeful authors?

The biggest lesson I keep coming back to in this process is that the joy must come from the work itself. Write what you love. Publish and promote in ways that make you feel good about it. If you try to force something you don’t like for the sake of market or sales…it will drain your energy and eventually your reasons for doing this in the first place. This business is hard, and so often you will have too many decisions to make and not enough time or resources, and when all of that adds up, the thing carries you through is the love of the work itself.

7.       Please, tell us about your work.

Sacheri is a synchronist, a human enhanced with embedded myconeural networks that allow him to gather and interpret vast quantities of data. On a salvage run to an abandoned moon, he meets the wry, reserved, and strictly-by-the-rules archivist Jin and finds a signal left by a group of synchronists who vanished decades before. Pursuing answers might cost Sacheri everything he loves—including his exciting new relationship—but Sacheri’s never been able to turn away from someone in need, and there’s a voice in the void calling for aid…

Spark and Tether is an adult queer sci fi love story with gothic themes in an optimistic, queer normative, far-future universe.

Thank you for being my guest. It was such a pleasure to have you here!!

Thank you so much for having me!


Get to know Lilian

Lilian Zenzi writes science fiction and fantasy, sometimes with romance and usually in queer normative worlds. Genre agnostic as a writer and a reader, she likes to keep space for comfort, hope, and joy along with the kissing, conflict, and big ideas. She resents having to write a bio and would rather be in the garden or making art.

Author Website: https://www.lilianzenzi.com

Author Facebook (Personal): https://www.facebook.com/profile.php?id=100093325026648

Author Facebook (Author Page): https://www.facebook.com/profile.php?id=100093193813533

Author Instagram: https://www.instagram.com/lilianzenzi/


About the book

Author Name: Lilian Zenzi

Release Date: Friday, January 19 2024

Tour Type: 7-Day Blog Tour

Tour Start Date: Friday, February 2 2024

Publishing Company: Lilian Zenzi, LLC

Cover Artist: design by Damonza Studios, art by Lucas @newmoonnero

Primary Plot Arc: Speculative Fiction

Pairings (if a romance): Pansexual MMC, Non-binary love interest

Genres: Romance, Science Fiction

Story Type: Novel (>50k)

Word Count: 103k

LGBTQ+ Identities (if applicable): most main and supporting characters are LGBTQ+/nonbinary/pan/queer/gender fluid

Keywords/Categories: gothic, far future, queer normative universe, biomodifications, ai, sprawling space civilization, science fiction, sci-fi, pan, pansexual, non-binary, enby, NB, gender fluid, LGBTQ, romance, queer romance, new release, announcement

Is This Part of a Series?: Yes

Position (Number) in Series: First

Series Title: Synchronists


Book Blurb:

Working odd jobs across the Outer Ring gets a little lonely sometimes—not everyone loves having a synchronist with supraliminal perception around. But all Sacheri wants, he tells himself, is to wander the stars.

Then he takes a salvage run to an abandoned moon where he meets the wry, reserved, strictly-by-the-rules archivist Jin. Mesmerized by their confidence and charm, Sacheri can’t resist showing off his abilities–and instead of the damaged ai he was tracking, he stumbles onto a signal left by a synchronist who went missing decades earlier.

Sacheri knows from previous experience that pursuing the truth—never mind justice—could destroy everything he loves. He would defy his employers, the institution responsible for the myconeural networks that make him a synchronist, and the leadership of several worlds.

And it would complicate his new, passionate, and impossibly sweet relationship with Jin. They might be the best thing that’s ever happened to him, but they work for the very entities that ended Sacheri’s last investigation.

He knows better than to risk it.

But he’s never been able to turn away from someone in need, and there’s a voice in the void calling for aid…

Non-Exclusive Excerpt:

PROLOGUE

Orinus Station, present day

Sacheri woke with a shiver in his nerves tracing his limbs like a lit fuse.

His synplants drew his awareness out into the station, into the whisper of leaves and the low hum of the machines, endlessly seeking. He had no solace to offer them, so he tried to sleep through it. Maybe inebriant would douse the burn; he’d have to find one, which meant leaving bed… but then, a walk might also help. The drink could keep him company on the return.

There was a certain maudlin poetry to wandering with the ghosts of memory, anyway.

#

He regretted his choices before he could finish the first bottle.

The empty corridors echoed, even the ones with lush vine-planted walls, fully surrounded by sound-absorbent tiling. The unsteady sound of his steps reminded him of less lonely times; the chatter of more populated halls made him sad. His synplants cleansed the inebriant from his system faster than he could drink, so he diminished them, set a timer on his standard implant, and ducked into a maintenance corridor, heading for the lifts that would return him to his temp residence.

He’d forgotten how many ghosts were in his head.

He drank more.

He passed through too many familiar places, muttering curses to himself about the council for bringing him to Orinus Station in the first place. He should have departed with Paradis, gone away to her fancy little moon, where he could wallow in heartbreak on a lakeside beach while she teased him about his lack of ambition. She’d have been careful not to remind him of anything—anyone—else.

Three more nights until he left for Elysia, into the far reaches of the Outer Rings, away from the myriad reminders, the constant calling of what should have been, all of his aching regrets.

He avoided the halls that would have taken him past Paradis’s private suites and the memories lying in wait for him there, and then he wandered past the next set of lifts, because it was what he and Jin had always done: long walks and quiet talks, so close their shoulders touched, their bell-clear, mesmerizing voice low and loving. He tried not to think about how much he missed them, and, failing that, tried not to think at all.

He trudged along, hugging the shadows at the edges of the walkways, arms heavy at his sides, until it was late enough that he could reasonably hope to get a lift to himself, and he had some hope of sleeping. The only humans he’d passed in maintenance took no notice of him, which was the whole point of using the back ways. But they might make small talk if they found him alone in a lift car, or, stars forbid, they might ask if he was okay.

And then what was he supposed to do? Cry on them? Tell them to mind their own business? Explain how he helped bring something like justice to a few long-forgotten synchronists and how much it took from him? Or should he ask if they’d seen a certain lithe, black-haired investigator for the Council of the Outer Rings anywhere nearby? His eyes burned from both the inebriant and the exhaustion and the constant threat of tears. He wanted to sleep until the transport to Elysia was ready.

The bottle was empty, but he wasn’t ready to let it go; he thought he might sleep better with it nearby, just for company, even if the synplants wiped all traces of the inebriant from his system. He leaned against the rounded corner of the lift alcove, one heel against the wall to hold him steady, arms crossed over his chest, bottle dangling loosely from the fingers of his right hand.

His luck almost held.


Universal Buy Link:

https://books2read.com/u/mYqJWp


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OTHER WORLDS INK

Medieval P

I wrote blog posts about Medieval times before, but I can’t read something interesting about medieval times, shudder, and then keep it to myself. I have to share it with you… and be warned: This isn’t for the fainthearted! If you have a weak stomach, you might as well just skip this one.

To the others: Have fun gagging with this indispensable piece of information.


Picture courtesy of Mediamatic.net

During medieval times in England, urine was indeed used for various purposes, although it might sound unusual to us today. Here are a few ways in which urine was utilized:

  1. Textile Industry:
    • Urine was used in the process of fulling woolen cloth. Fulling is a step in clothmaking that involves cleaning, thickening, and softening the cloth. Urine, particularly the ammonia it contains, helped to break down and cleanse the fibers.
  2. Tanning Leather:
    • The ammonia in urine was used in the tanning process for leather. It helped to break down the proteins in animal hides and prepare them for the tanning agents.
  3. Cleaning:
    • Due to its ammonia content, urine was sometimes used as a cleaning agent. People would use it to clean various items, from clothes to household items.
  4. Medicine:
    • In medieval medicine, urine was often analyzed for diagnostic purposes. It was believed that the color, smell, and taste of urine could provide insights into a person’s health.
  5. Teeth Whitening:
    • There are historical accounts suggesting that people in medieval England used urine as a teeth-whitening agent. The ammonia was thought to help remove stains.
  6. Dyeing Fabric:
    • Urine was used in the dyeing process for fabric. The ammonia acted as a mordant, helping to fix the dye to the fibers.

It’s important to note that the use of urine in these ways was based on the limited knowledge and resources available during medieval times. In modern times, we have developed more advanced and hygienic methods for these purposes, and the use of urine in these ways is no longer common. The historical use of urine also reflects the practical and resourceful nature of people in dealing with the materials available to them at the time.


Now, after reading this, remember the Historial Romance books and imagine ‘The Big Endless Everlasting Love’ practiced in pee-smelling cloth, fabric, and leather, in a room that was cleaned with pee, and kissing your partner who brushed their teeth with pee… – sheesh… I think that Historical Romance novel will wait on my shelf for another two years or so to be read… how about yours?

Is Pinterest Useful As A Book Promotion Platform?


I was searching for answers about the use of Pinterest as a P.R. platform for books and got some advice, which I’d like to share with you. After getting this information, I have to say, I’m going to explore Pinterest a bit more and will definitely have a go with it.

Pinterest can be a valuable platform for promoting books and engaging with readers. Here are some tips for effectively promoting your books on Pinterest:

  1. Create a Book-related Board:
    • Start by creating a dedicated board for your book(s). Pin images of your book cover, promotional graphics, quotes from the book, and any related content.
  2. Visual Content is Key:
    • Pinterest is a visual platform, so focus on creating eye-catching and engaging visuals. Use high-quality images, graphics, and infographics related to your book.
  3. Pin Inspirational Content:
    • Pin content that inspires or relates to your book. It could include images that inspired your writing, settings, characters, or anything that enhances the reader’s experience.
  4. Author’s Journey Board:
    • Share your writing journey by creating a board that documents your experiences as an author. Include photos from book signings, writing sessions, or behind-the-scenes glimpses.
  5. Collaborate with Other Pinners:
    • Collaborate with other authors, book bloggers, or readers by inviting them to contribute to collaborative boards. This can help expand your book’s reach to a broader audience.
  6. Use Rich Pins:
    • Take advantage of Pinterest’s Rich Pins feature. Rich Pins provide additional information directly on the pin itself, such as the title, description, and author details. This makes your book pins more informative.
  7. Optimize Pin Descriptions:
    • Write compelling and keyword-rich descriptions for your pins. Use relevant hashtags to increase discoverability and ensure that pin descriptions include essential information about your book.
  8. Promote Book Events:
    • If you have book-related events, such as launches, signings, or virtual readings, create pins to promote these events. Include details and encourage followers to attend.
  9. Share Reader Reviews:
    • Create pins featuring positive reviews from readers. This can build credibility and encourage others to explore your book.
  10. Utilize Group Boards:
    • Join or create group boards related to books, writing, or your book’s genre. These boards allow multiple contributors to share content, expanding your book’s visibility.
  11. Pin Consistently:
    • Consistency is key on Pinterest. Pin regularly to keep your audience engaged and to increase the likelihood of your pins appearing in users’ feeds.
  12. Engage with Your Audience:
    • Respond to comments on your pins, follow other pinners in your niche, and engage with the Pinterest community. Building a rapport with your audience can enhance your book promotion efforts.

Remember to respect copyright and intellectual property rights when pinning images. Pinterest is a platform where users actively seek inspiration and recommendations, making it a great place to showcase your books visually. Experiment with different types of pins, analyze your Pinterest analytics and adjust your strategy based on what works best for your audience.

What Can Your Blog Do For You – And What Can You Do For Your Blog?


In today’s digital age, establishing an online presence is crucial for the success of any author or book. One powerful combination that can significantly boost your books is the synergy between blogging and social media promotion. In this blog post, we’ll explore how having a blog can benefit your books and why promoting it on social media is the key to unlocking its full potential.

I. Building Credibility and Authority:

A well-maintained blog allows you to showcase your expertise in your genre. You position yourself as a thought leader by consistently publishing high-quality, informative content. This builds credibility and establishes your books as authoritative in the literary world. Readers who perceive your works as knowledgeable and reliable are likelier to choose your books.

II. Connecting with Your Audience:

Blogs provide a platform for you to connect with your target audience personally. You can humanize your writing and create a sense of community through engaging and relatable content. Readers are more likely to become loyal fans when they feel a personal connection with your books. Additionally, a blog allows you to address reader concerns, answer questions, and receive feedback, fostering a two-way communication channel.

III. Boosting SEO and Online Visibility:

Search engines love fresh, relevant content; a blog is an excellent way to consistently provide just that. Regularly updated content improves your website’s search engine rankings and increases your online visibility. This, in turn, attracts more organic traffic to your book pages. By incorporating relevant keywords and optimizing your blog posts for search engines, you can reach a wider audience and drive more potential readers to your books.

IV. Social Media Promotion:

The Catalyst for Success While a blog is a valuable asset, its true potential is unleashed when coupled with a strategic social media promotion plan. Social media platforms are powerful tools for sharing your blog content with a broader audience. Whether it’s Twitter, Facebook, Instagram, or LinkedIn, each platform provides a unique opportunity to connect with different demographics.

  1. Creating Shareable Content: Craft your blog posts with shareability in mind. Social media users love to share content that resonates with them. Include visually appealing graphics, quotes, and compelling headlines to capture attention. Encourage your readers to share your content, expanding its reach to their networks.
  2. Engaging with Your Audience: Social media is not just a broadcasting platform; it’s a space for interaction. Respond to comments, messages, and mentions promptly. Engage with your audience by posing questions, conducting polls, and encouraging discussions related to your blog content. This increases your post visibility and strengthens your online literary community.
  3. Utilizing Hashtags and Trends: Harness the power of hashtags to increase the discoverability of your blog posts. Research relevant trends in your genre and incorporate them into your social media strategy. Trending topics can significantly boost the visibility of your content, reaching a wider audience.

In conclusion, combining a well-maintained blog and strategic social media promotion can catapult your books to new heights. By building credibility, connecting with your audience, boosting SEO, and leveraging the vast reach of social media, you create a powerful synergy that drives literary success. Embrace the digital landscape, harness the potential of your blog, and watch your books thrive in the online literary world.

Grammar Rules: i.e. and e.g. – Written by Melissa Donovan

Occasionally, we come across the abbreviations i.e. and e.g., but what do they mean, and what is the difference between them? How do grammar rules apply?

These two terms originate in the Latin language and are just two of the many Latin phrases that have survived into modern language.

Both i.e. and e.g. are abbreviations for longer Latin phrases, so one of the smartest ways to memorize these terms is to learn what they stand for.

If you speak any of the Latin languages, you’ll have the upper hand in memorizing i.e. and e.g. And if you don’t speak any Latin languages, then here are some tips to help you better understand these two terms.

CONTINUE READING HERE

What writers should know! Part one: Grammar – Written By D.L. Finn

HI SEers! Denise here with my first post of 2024. This year, I’ll explore twelve things that writers should know. I will be incorporating information from my past posts with some added fresh twists and information.

This month, we will examine the most common grammar mistakes.

  • Misuse of words such as lie/lay, your/you’re, there/their/they’re, affect/effect, its/it’s, less/few, accept/except, insure/ensure, who’s/whose, and too/to/two. The problem is most grammar programs don’t always catch these mistakes. It’s best to double-check if you are using the correct word. Example: These pants are to tight after the holidays. Fixed: These pants are too tight after the holidays. Learn your weaknesses so you know where to look during edits.
  • Passive writing. Passive will usually include the verb to be or the phrase by the. To fix that, you want an active voice or when the subject does the action of the verb. Passive example: Elizabeth’s War is being read by my granddaughter. Fixed or active: My granddaughter is reading Elizabeth’s War.
  • Use grammar checks to ensure the commas and punctuation are correct, but don’t completely rely on them. I use the free Grammarly and ProWritingAid but there are Hemingway, NounPlus, Ginger, After the Deadline, WhiteSmoke, and LanguageTool. Sometimes you just need a human eye. I have found Grammarly and ProWritingAid will disagree on whether a comma belongs in a sentence. This is when you have to look up the rule and make that call.

CONTINUE READING HERE

Mystery Writing: Mastering the Art of the Detective’s Sidekick Not Just a Fool, But a Tool – Written By Zara Altair

Your heart races as you follow the detective’s every action in a mystery, yet another character keeps stealing your attention. That’s right—the detective’s sidekick is often deceptively ordinary yet indispensable to both the detective and the story you’re absorbed in.

You’re the cunning architect of this mystery. Sure, you have a brilliant detective character, but doesn’t it feel like something’s missing? Or someone, perhaps? Here’s your guide to mastering the meticulously understated yet critically important role of the detective’s sidekick in your mystery narrative.

Whether for wit, contrasting insight, or a touch of human naivety, your detective’s sidekick is a powerful narrative tool. You’re about to explore how to shape this secondary character, not just as an accessory to your detective but as an essential element to engage your readers and make your narrative unforgettable.

CONTINUE READING HERE

The Johari Window & Character Blind Spots – Written By Kristen Lamb

Johari Window, blind spot, wound, character development, plotting fiction, Kristen Lamb

The Johari Window can be one of many powerful tools for crafting dimensional characters. It can also help creators develop layered stories (plots) that will resonate long after the audience reaches “The End.” Why?

Because great fiction is even better therapy. And after the past four years in particular, who DOESN’T need at least a little lot of therapy?

Yes, I’ve talked about the Johari Window before, but it’s been ages. Since I figured most of us have slept since 2021, it seemed like a fantastic topic to start off the year (especially for those who’ve set a resolution to write a book…preferably a GOOD book).

Too many believe fiction to be a fluff, an escape, a fantasy getaway (while, ironically, spending almost all disposable income consuming it).

Some fiction does this for sure. Yet, the stories that hit the market and continue to ripple for decades, centuries, or even for millennia share a common denominator.

Stories offer the audience deeper insights into themselves, their beliefs, and the world around them. It trains empathy and gives us the easiest way to “walk a mile in another person’s shoes.”

Additionally, great stories have timeless messages. It’s why we can take a Shakespearian play and set it in modern times and the story and message are just as powerful.

The characters might wear modern clothing, fight with machine guns instead of swords, but we identify with their hopes, dreams, hurts, struggles, blind spots and weaknesses just as much as the audiences from centuries ago.

CONTINUE READING HERE